Abstrakt The study strives to follow some changes in the perception and experience of music initiated by the innovative compositional procedures of the 20th century. The transformations are explained as shifting of boundaries defining selected categories within the listener´s paradigm. The categories are nested into two groups – one following the aspect of continuity, and the other dealing with scaling. The described transformations are supported with analogies from the avant-garde non-illusive cinematography as explained by Martin Čihák in his book Lost River of Cinematography.

Iva Oplištilová:
Paradigm transformation
Stati a studie / Živá hudba 2016/7 / Publikováno 24. 5. 2017