Abstrakt Analytical reflections on selected layers of the key orchestral composition by L. Berio. Focus on the layers of serial compositional techniques, of the individual movements’ forms, of compositional operations treating the text(s), of the presented a mediated meanings concerning Mahler’s Symphony No. 3 (particularly its third movement) and of the composers inspirations by Claude Lévi-Strauss and Umberto Eco.
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Článek vyšel v časopise Živá hudba 2019/10
