Abstrakt The second part of a larger study on the music of John Cage. His approach to composition is discussed here based on examples from his different works (Concert for Piano and Orchestra, Theatre Piece, MUSICIRCUS) which represent his development in respect to the social structure of his music.

Jaroslav Šťastný:
John Cage – a smiling Frankenstein? (2)
Stati a studie / Živá hudba 2011/2 / Publikováno 27. 12. 2011