Živá hudba

Abstrakt:
The main focus of the study is the issue of non-teleological listening strategies for music. They are described based on a phenomenological approach from the first person perspective. Phenomenological reduction is suggested as a method of work with phenomena for which classical tools of musical theory have proven insufficient. Non-teleological compositions are related to J. T. Fraser’s theory of temporalities, specifically to non-linear temporalities. The characteristic phenomena in non-linear temporalities are described as experiences, i.e. phenomenologically, as well as from the viewpoint of the material utilized, i.e. as compositional procedures. The concept of duration is explored.

Citace:
Iva Oplištilová. Non-linear time in the post-Cageian music. Živá hudba 2010/1. On-line <https://ziva-hudba.info/non-linear-time-in-the-post-cageian-music/> [19. 8. 2025].
Kopírovat Iva Oplištilová. Non-linear time in the post-Cageian music. Živá hudba 2010/1. On-line <https://ziva-hudba.info/non-linear-time-in-the-post-cageian-music/> [19. 8. 2025].