Živá hudba

Abstrakt:
This article deals with a new musical phenomenon – instrumental saturation. First I describe the essential compositional principle related with the instrumental saturation. Further I mention the main personalities of this musical movement and their predecessors as concerns the use of inharmonic material. In the next part I discuss two string quartets of the two composers focusing on three fundamental parameters – time, dynamic and gesture. Concurrently I describe the concepts “absolute saturation“ and “infra saturation“ as two extreme situations of compositional approach. In the end I compare both the string quartets and describe their similarities and differences in terms of the three fundamental parameters mentioned above.

Citace:
Jakub Rataj. Silent within noise: instrumental saturation. Živá hudba 2016/7. On-line <https://ziva-hudba.info/silent-within-noise-instrumental-saturation/> [19. 8. 2025].
Kopírovat Jakub Rataj. Silent within noise: instrumental saturation. Živá hudba 2016/7. On-line <https://ziva-hudba.info/silent-within-noise-instrumental-saturation/> [19. 8. 2025].